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The village, on the other hand, is largely divided by caste and religious beliefs. Gita runs a school in Charanpur and works tirelessly to improve the villagers’ living standards through education. When he arrives in Charanpur, he meets Kaveri Amma and learns about his childhood friend Gita (Gayatri Joshi), who took Kaveri Amma to live with her after her parents died.
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Mohan decides to rent a recreational vehicle to get to the village because he is concerned that he will not be able to find the required amenities there. After that, Mohan plans to visit Charanpur, Uttar Pradesh. When he arrives at the old age home, he discovers that Kaveri Amma has moved to a village called Charanpur a year ago. He takes a few weeks off and travels to India after the recent success of Phase I of his project. Mohan wishes to travel to India and return to the United States with Kaveri Amma. Kaveri Amma moved to an old age home in Delhi after his parents died, and she lost touch with Mohan. He is constantly concerned about Kaveri Amma (Kishori Ballal), a nanny who looked after him as a child at his home in Uttar Pradesh. Mohan came to America for college studies and stayed after his parents died in an accident in India. Mohan Bhargava (Shahrukh Khan) is an Indian who works at NASA in the United States as a Project Manager for the Global Precipitation Measurement (GPM) program. Red Chillies Entertainment owns the film.
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It was dubbed as Desam in Tamil and released on January 26, 2005, which happened to be Republic Day. The film was released in theatres on December 17, 2004, to a flurry of positive reviews, with critics praising Khan’s performance, story, screenplay, and music. Rahman composed the music and background score, while Javed Akhtar wrote the lyrics. But it's definitely a treat for those who want to see moving and believable films on a large scale. I can't predict its box office outcome, as the masses love fantasies and escapist cinema. I can and will definitely view this movie once more, to celebrate it feel and spirit. The theme song 'Yeh Jo Des Hai Mera' haunts both in terms of its visuals and wordings.īut above all, it's the good intention and the attention to detail, of director Ashutosh Gowarikar that makes wonders for this truly experimental and moving cinema. His most real since 'Kabhi Haan Kabhi Naa' and his career's best. The asset of the film is Shahrukh Khan, looking ordinary and real but in an extra-ordinary performance. It's an answer to the generation of materialistic 'we', who never shy from proclaiming our great culture and tradition, but do nothing for our country. Seeing the harsh reality and we'll find it difficult to suppress our tears. And the most poignant scene in the film, where we see a boy selling water for 25 paisa, hits you hard. There's a prejudice that the film is about bringing electricity to a small village. It haunts you for long enough after the cinema has ended. Swades is about the conscience trauma of an Indian, urging him to comeback and do something for his country. Lagaan is all about emerging victorious and fighting against the odds. Primarily, for the authenticity and real-life feel unlike Lagaan which was a finely crafted fairly-tale.
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Comparisons with Lagaan are bound to be there, but in some ways it's even better than Lagaan. It's very much contemporary and it's our story.Ĭompared to Veer-Zaara, it's light years ahead. We see in the film what we see everyday, the places as they are. The 'We, People' film really makes us feel like it's our film. Swades is not colorful Shahrukh doesn't appear in a GAP or POLO SPORT there are no introductory shots there are no romantic scenes and no fields with yellow Tulip flowers It may be a tad slow and lengthy But Swades hits you where your heart hurts the most patriotic and root feelings of an individual with good intentions overcoming societal obstacle. 48 hours hence, I vividly remember most of the scenes and can lucidly state that is truly 'haunting'. 30 minutes after I had viewed the film on Sat, I was not sure about how I felt about this film.